snapscube:

punkitt-is-here:

drive through (animated version of THIS snapcube post! :D)

i thought the audio was too silly not to grab hold of my brain and make me make something out of it

I CAN NOT BELIEVE THIS SJSHJSHSJSGS HOLY SHIT THANK YOU

(via saltydkdan)

clusterduck28:

image

So I think the best strat here is for the users who did get the new layout to just stop using the desktop version of the site for a while, like a week or a month or however long their ‘experiment’ is supposed to last, while the users who didn’t get the new layout should keep using the desktop version like normal or, perhaps, use it even more than usual.

My guess is that they’re doing basic A/B testing on the new layout to see if it would boost engagement: the userbase is split roughly 50/50 between the 2 versions and they are going to be comparing the engagement data between the 2 groups of users to see if it’s worth it switching everyone to the new layout or not.

Basically, if you got the new layout and don’t like it - don’t use it. If engagement metrics of group B (new layout) are lower than those of group A (no change), the experiment will be considered a failure and they will have to reverse the change.

If your tumblr suddenly looks like twitter - it’s a sign to log off and go touch some grass! (or just use the mobile app since that engagement data isn’t relevant to this particular experiment)

(via zum1udontno)

mahgck:

dzamie:

mahgck:

mahgck:

its so funny to me that people on twitter n tiktok are like “ok but porns still banned on tumblr so at least we’re better then them” as if they dont have to typ3 w0rd$ I1k3 th!$ to get around their censors

image

y34h, 4t l34st on th1s s1t3 you c4n t3ll th4t th3 p3rson h4s 4 p4rt1cul4r, mor3 4nnoy1ng r34son to typ3 l1k3 th1s

i want to you to eat deodorant

(via phantomrose96)

jwcartoonist:

People keep saying to cartoon creators who want to make an animated series “just go indie”, but it isn’t that easy. If it was, everybody would be going indie. Every so often I get a message asking me to just make an animated series, as if I was always able to do that but just didn’t for some reason. If I were able to do that we’d already be past Think Ink episode 100.

Animation is expensive as hell with everything that’s involved with it, not just the visuals, but also the music, voice acting, and everything else involved with the production. It takes around 9 months to a year to complete one full-length episode of an animated TV show, and that’s with a major studio sized crew backing it. Not to say an Indie studio can’t pull it off, but it’s extremely difficult to do so and it’s much rarer than you would think. Plus not every creator has the knowhow to run their own studio/company, which is a whole other kettle of fish itself.

The current main method of going to a big-time studio/TV Network to greenlight your show isn’t perfect, but many creators still go with it because those companies have the one thing creators often lack…

image

marinebluekaze:

journeysendinlovers:

yugiohz:

yugiohz:

image

no offense to anyone personally but I think we are way too used to and comfortable with weekly releases and if that wasn’t already bad enough, it seems like most of you aren’t even patient enough to wait for the official release date my point is this industry moves way too quickly

The way that people treat with the medium of manga is interesting and sad because a lot of mangaka are disabled and becoming disabled because of the intense workload. The grace extended to legendary author-artists like Togashi should be how all these artists are treated, and more. Your favorite artists are destroying themselves to create the pages you consume and make judgments on and they deserve to take the time their bodies need to recover from these efforts. The weekly release schedule is literally hurting artists.

What’s worse is how they’re expected to do extra work unpaid like exclusive bonus illustrations for retailers and are expected to pay for assistants themselves. Licensing deals with adaptions are fucked up Gureishi is not the only one who has said an anime adaption did nothing for them financially Hideaki Sorachi of Gintama fame has also been open about how little money he has made from the hugely successful Gintama live action projects. Its so fucked up out there for them with no safeguards when their health fails them aside from living off of royalties, and this is an “improvement” from when publishers were fully okay roping manga artists into doing more than one serial at a time or lock them up in hotels with no sleep until they completed their manuscripts

(via crab-funk)